Showing posts with label racism. Show all posts
Showing posts with label racism. Show all posts

Monday, 15 January 2018

MAKE AMERICA GREAT BACK THEN

by Gilbert Allen




Slavery in America began when the first African slaves were brought to the North American colony of Jamestown, Virginia, in 1619, to aid in the production of such lucrative crops as tobacco. History.com


Four hundred years ago, we needed you.
Turn Air Force One into a time machine.
Bless colonists with your enlightened views.
Four hundred years ago, we needed you
to end this chain migration’s witches’ brew
before it started. Be our go-between!
Four hundred years ago, we needed you.
Turn Air Force One into a time machine.


Gilbert Allen lives in Travelers Rest, South Carolina. His most recent books are Catma and The Final Days of Great American Shopping.

Wednesday, 13 December 2017

STEVE KING: THIS IS YOUR NOT SO WONDERFUL LIFE

by Michael H. Brownstein




      King said. "I'd ask you to go back through history and figure out, where are these contributions that have been made by these other categories of people that you're talking about, where did any other subgroup of people contribute more to civilization?"
      Hayes asked: "Than white people?"
      "Than, than Western civilization itself," King said. "It's rooted in Western Europe, Eastern Europe and the United States of America and every place where the footprint of Christianity settled the world. That's all of Western civilization."
USA Today, July 18, 2016



So Congressman Steve King of Iowa woke on Monday morning.
The first thing he did was go to the bathroom—outside in a small wooden shack. (1)
He wiped his behind when he was finished with leaves and other weeds. (2)
Then, like a dog, slapped water onto his face, dug his tongue into the pond and drank. (3)
In the house he put on a smock of leaves (4) after a cold snack of simple food. (5)
He walked to work (6) down crooked pathways to his office in a city without focus (7)
and entered a small office in the capitol of no pattern (7 again) —you get it now—
just about everything was designed or invented by someone who was not white.


1. A typical example is the Indus city of Lothal (c. 2350 BCE). In Lothal all houses had their own private toilet which was connected to a covered sewer network constructed of brickwork held together with a gypsum-based mortar that emptied either into the surrounding water bodies or alternatively into cesspits, the latter of which were regularly emptied and cleaned. (Khan, Saifullah. "Sanitation and wastewater technologies in Harappa/Indus valley civilization 2600-1900 BC")

2. 50 B.C. The Chinese first made paper with short lengths of bamboo and then later added cotton linen rags which were soaked in water and pounded into swollen pulp. This was then formed into sheets and dried.
105 A.D: Ts’ai Lun, a Chinese court official, has his name linked to the invention of paper. Most likely, Ts’ai mixed mulberry bark, hemp, and rags with water, mashed it into pulp, pressed out the liquid, and hung the thin mat to dry in the sun.
8th Century: Arabs were known to make writing paper and were the first to use linen in the process. (The Toilet Paper Encyclopedia)

3. Bamboo tubes sealed at the end with clay provided a usable container in Asia, while the inhabitants of the Tehuacan Valley began carving large stone bowls that were permanently set into a hearth as early as 7,000 BC. (Cookware and Bakeware at Wikipedia)

4. Cotton was used for clothing in Ancient India from 5th millennium BC. Linen cloth was made in Ancient Egypt from the Neolithic period. (History of Clothing)

5. The earliest evidence for fire associated with humans comes from Oldowan hominid sites in the Lake Turkana region of Kenya. The site of Koobi Fora (FxJj20, dated 1.6 million years ago) contained oxidized patches of earth to a depth of several centimeters, which some scholars interpret as evidence for fire control. At 1.4 million years of age, the Australopithecine site of Chesowanja in central Kenya also contained burned clay clasts in small areas. Other Lower Paleolithic sites in Africa that contain possible evidence for fire include Gadeb in Ethiopia (burned rock), and Swartkrans (270 burned bones out of a total of 60,000, dated 600,000-1 million years old), and Wonderwerk Cave (burned ash and bone fragments, ca. 1 million years ago), both in South Africa. (K. Kris Hirst, "The Discovery of Fire")

6. C.R. Patterson, born slave, built automobiles before Henry Ford. (Monette Bailey)

7. President Thomas Jefferson recommended Benjamin Banneker (an African-American) to be a part of a surveying team to lay out Washington, D.C. Appointed to the three-man team by President George Washington, Banneker wound up saving the project when the lead architect quit in a fury – taking all the plans with him. Using his meticulous memory, Banneker was able to recreate the plans. Furthermore Banneker invented a perfectly timed working clock. No wonder Steve King was never on time.


Michael H. Brownstein was the editor of First Poems from Viet Nam, 2011.

Saturday, 2 December 2017

SMOKE SIGNALS

by Betsy Mars


In the town where the Pilgrims settled, members of Native American tribes from around New England gathered for a solemn National Day of Mourning observance. Thursday’s noon gathering in downtown Plymouth, Massachusetts,  recalled the disease, racism and oppression that European settlers brought. It’s the 48th year that the United American Indians of New England have organized the event on Thanksgiving Day. —boston.com, November 23, 2017


Released, the dream where the pipe broke,
dumping oil into the water table.
Oil and water don't mix.
In another, the peace pipe
is passed, but one person,
or even a whole class,
refuses to share

or worse still—
turns it into a war drum.
Sticks and stones might break
my bones but names will be
thrown around haphazardly

igniting flames, festering old wounds,
clouding the discussion.
Run interference and divert.
Take up the cross. Toss that medicine,
man, unless you can afford it.

When you're on the trail
of tears, rub salt in the wounded.
Kneeling is a sin before football,
but not before God.

In God we trust, unless we're native
American, or any “other.”
The dreamcatcher is broken;
nightmares run rampant.


Betsy Mars is a poet, educator, mother and animal lover who spent part of her early childhood in Brazil. This experience led to an early awareness of income disparity, linguistic and cultural differences, as well as a love for travel and language. Her work has appeared in The Rise Up Review, The California Quarterly, The Ekphrastic Review, and Anti-Heroin Chic, among others. 

Tuesday, 21 May 2013

Cross: Summary and Analysis

"Cross" by Langston Hughes: Summary and Analysis


Author: Langston Hughes
Date: Written and Published in 1926
Poem in a nutshell: "I'm both White and Black; yet I am neither. I don't belong."






Original Text
Modern Engish Translation


My old man's a white old man

And my old mother's black.

If ever I cursed my white old man

I take my curses back.



If ever I cursed my black old mother

And wished she were in hell,

I'm sorry for that evil wish

And now I wish her well



My old man died in a fine big house.

My ma died in a shack.

I wonder where I'm going to die,

Being neither white nor black?




My father’s white

And my mother is black.

If I ever wished my father ill, I take it back.





If I ever cursed my mother and wished she

Would go to Hell,

I’m sorry for that I did so.

Now, all I wish is that she were well.



My rich white father died in a nice big house,

And my poor old mother died in a shack.

I wonder where I am going to die,

Since I’m not accepted as white or black?

For me, this is the best poem that I have ever read. In fact, it is my favorite poem (and you read a lot of poems when you're an English major!). What makes this poem so intoxicating is the fact that it's simplicity is an illusion. To the untrained eye, the poem may seem both short and simple, but I assure you that the latter assertion is false. The poem is anything but simple.

It is rich is meaning--encompassing a plethora of connotations and duality.

Summary

The narrator of the poem is a young mulatto, expressing his frustration at being both black and white but never fully belonging to either of the two races. He is not accepted by blacks because he is half white, and he is shunned by whites because he is half black. The historical significance of this is that, during the 1920s (in the U.S.), the cultural and racial segregation of African Americans and Caucasians were very defined and apparent. As such, the narrator is stuck in a sort of purgatory/gray area/limbo, for he is deprived of the chance to be immersed in either race due to racial pride. Thus, he is left in a state of confusion, suffering an identity crisis. He has no one with which he can identify.

As the narrator matures, he realizes that he can't blame or hate his parents for who he is. It doesn't make any sense. At the end of the day, he'll still be who he is, so why hate? 

The last stanza emphasizes the poverty of the Blacks versus the wealth of the Whites during this time period. For, the narrator says that his father died in a big house while his mother died in a shack. He still doesn't know how to categorize himself in terms of identity, but he accepts the issue as it is. Once he decides which path to lead--life as a black man or life as a white man--then he'll know where he'll die.

Analysis:

Connotation

Connotation, in literary terms, describes the association that are attached to certain words. For example, the word "gun" has a negative connotation. Instead of associating guns with a positive thing like "protection," most people associate the word "gun" with death, blood, murder, etc. Connotation is what separates two identical words. So, we all know that "house" and "home" are both places of dwelling and their definitions are almost entirely identical. However, what separates the two words are their meanings. When you say "house," it is impersonal and objective, but when you say "home," we associate things like family, warmth, safety, with it. Get it?

In "Cross," the word cross has many connotations. It can mean practically anything. Although it is not directly written in the poem, the word encompasses the entire essence of the poem. 

The young narrator of the poem is:

 -multiracial, multicultural, mulatto, cross-breed.

-His hybridity is a burden--a cross to bear. This brings about the image of the crucifix, making the narrator or subject of the poem somewhat of a Jesus figure. For, like Jesus, he suffers from constant persecution.

-He is at a cross-roads. Which world does he fit into: white or black?

-He makes a crossover from his previous emotions. At first, the narrator admits that he was angry or cross at both of his parents, but, he later lets go of that hatred and forgives them both.

Who is the Poem Really About?

Some critics argue that the poem is about Mr. Hughe's ethnic roots, reflecting the life of African Americans during the 1920s. The stark poverty of the black population in comparison to the white community showcases the intensity of the racial tensions of the time as well as the injustice of the persecution of blacks.

On the other hand, some literary scholars insist that the poem may be a commentary of the slavery and the long lasting effects that it may have on future generations. As we well know, white slave owners often took advantage of their black female slaves, resulting in mulatto children. Thus, the narrator could easily be the child of a former slave. 


Americast

And which songs have made it onto Trump’s Air Force One playlist? from BBC News https://ift.tt/TMOqUhk